Archives for posts with tag: Bay of Fundy

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As many of my readers may know by now, I spent a glorious week of August as a participant artist in the White Rabbit Residency.

Along the shores of the other-worldly Bay of Fundy (where you can experience the highest tides in the world), I joined 16 artists – including my brother, cartoonist and graphic designer, Jonathan – in a week of supportive, nurturing, and inspired creation, responding to the beautiful landscape of Red Clay. The residency focuses on the process of creation, culminating in the White Rabbit Celebration, where visitors come to celebrate the end of the residency in a festival of art and music. Along with illustrating the festival’s map, I spent the week working on my project, Framing Red Clay.

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I initially proposed spending the week wandering around the grounds and creating frames out of found materials, to direct wanderers toward views of specific landscapes. I would comment on the landscape based on the frames’ shape, position and materiality, frames made out of materials ranging from the most natural to the most human-made. I was excited to frame dynamic scenes that would change based on the time of day viewed — especially those views of the swift transformations of the intertidal zone.

But when I got to Red Clay, it was the August super-moon — and high above the Bay, the full moon sat and slowly moved across the sky. The fullness of the moon illuminated the entire landscape, and, I couldn’t look away.

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I promptly adapted my project to a project of chasing, and framing the moon. Building on the vertical ladder tradition initiated by Andrew Maize the previous year, I constructed a ten foot ladder and erected it straight out of the ground, on a spot that affords the best views of the bay — where I initially viewed the moon in its fullness.

Learning from brilliant Red Clay veterans how to sustainably harvest spruce, and latch with rope, I built a small frame with a handle, and hung it on the top of the ladder. Passersby were tacitly invited to climb the ladder. Once at the top, they intuitively grabbed the frame, and began viewing the world from enjoyably high vantage. When the half moon rose on August 17, we gathered around the ladder to enjoy the experience of framing the moon as it hovered across the bay. Ironically, from this high vantage, I ended up framing Red Clay, as I initially intended to.

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As my artist statement in the White Rabbit program put it:

I came to Red Clay with the intention of framing the landscape, but I couldn’t stop looking at the moon, so I tried to frame the Moon. I ended up framing Red Clay. 

It was a pleasure to participate in White Rabbit 2014, and I congratulate my fellow artists-in-residence. Framing Red Clay was a wonderful manifestation of my art practice, emphasizing process but with a physical and interactive end product.

See you at White Rabbit 2015!

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White Rabbit is a week long artist residency on the shores of the Bay of Fundy. Every year, 16 artists are invited to explore Red Clay, and engage in process-based art making in response to the landscape.

The residency culminates in a music and art festival, where visitors are invited to explore the land and enjoy the manifestations of the residency, including installations, workshops, performances and audio-tours. 

Every few years, the organizers of White Rabbit invite an artist to create a map to help festival goers find their way around the land to projects that are often deep in the Red Clay woods. Past map-makers have included Jayme Melrose, Sarah Burwash, and Chris Foster — artists and individuals who have been highly influential to my way of living and art practice. I was honoured to join the ranks of these esteemed creators, having been invited to be the resident Red Clay cartographer this past White Rabbit. It was a pleasure to see people navigate the festival with a map I had created!

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Festival goers figuring out where they are this year at White Rabbit

 

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Exciting news, readers!

This weekend, I am returning to Upper Economy, Nova Scotia, to participate in White Rabbit, an artist residency by the Bay of Fundy. The residency is hosted on a piece of land called Red Clay, a hilly terrain characterized by organic gardens, meadows, ponds and forests.

The week-long residency culminates in a festival, where visitors from near and far will come to enjoy the projects, celebrating with live music,  delicious food and fire spectacles.

The Bay of Fundy has the largest tides in the world, and I am excited to experience this epic, and subtly shifting landscape as we approach August’s full moon. I will be exploring, creating and learning with 15 other artists, including my brother Jonathan — a major support, influence and inspiration in my life.

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Inspiration for the project, on Toronto Island this past winter.

My project, Framing Red Clay, proposes to place seven to ten frames of varying sizes around the land, with an illustrated companion map so visitors can find their way. The frames will be made of found material, incorporating the most natural and the most artificial objects littered throughout the landscape. It was inspiring by my wanderings around Toronto Island this past winter, where blank ferry schedule signs unintentionally left vistas framed for consideration.

Ideally, I hope to evoke laughter with this project. I also look forward to getting deep into ideas of the Nature-Culture binary that has characterized my Urban Geography practice. I am excited to collaborate with others, and am open to the inevitable changes to the project the intersection of the land, my state of mind, the weather and the dynamics of the group will bring to its manifestation.

Here’s to a week of contemplation, good food, friends new and old, and landscape-based art making. And see you next Saturday, at the White Rabbit Open Air Art Festival!