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Exciting news, readers!

This weekend, I am returning to Upper Economy, Nova Scotia, to participate in White Rabbit, an artist residency by the Bay of Fundy. The residency is hosted on a piece of land called Red Clay, a hilly terrain characterized by organic gardens, meadows, ponds and forests.

The week-long residency culminates in a festival, where visitors from near and far will come to enjoy the projects, celebrating with live music,  delicious food and fire spectacles.

The Bay of Fundy has the largest tides in the world, and I am excited to experience this epic, and subtly shifting landscape as we approach August’s full moon. I will be exploring, creating and learning with 15 other artists, including my brother Jonathan — a major support, influence and inspiration in my life.

Toronto Island Framed

Inspiration for the project, on Toronto Island this past winter.

My project, Framing Red Clay, proposes to place seven to ten frames of varying sizes around the land, with an illustrated companion map so visitors can find their way. The frames will be made of found material, incorporating the most natural and the most artificial objects littered throughout the landscape. It was inspiring by my wanderings around Toronto Island this past winter, where blank ferry schedule signs unintentionally left vistas framed for consideration.

Ideally, I hope to evoke laughter with this project. I also look forward to getting deep into ideas of the Nature-Culture binary that has characterized my Urban Geography practice. I am excited to collaborate with others, and am open to the inevitable changes to the project the intersection of the land, my state of mind, the weather and the dynamics of the group will bring to its manifestation.

Here’s to a week of contemplation, good food, friends new and old, and landscape-based art making. And see you next Saturday, at the White Rabbit Open Air Art Festival!

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