City Repair’s grid-dissolving, community building philosophy has found its way across the continent, to Halifax, Nova Scotia.
The Portland organization focuses on re-purposing urban space through design to facilitate “neighbourliness” and a community-directed sense of place. Painting an intersection is a revolutionizing activity that transforms an intersection from a place to pass people linearly, to a place to gather, meet and make connections.
Mark Lakeman, of City Repair and Communitecture provides a lovely accompanying narrative to explain an intersection painting. He describes the history of the humanuty as the slow spread of imperialism over a world characterized by formerly village lifestyles. Left to our own devices, our former villager-selves would design our living space with dwellings organized around a series of gathering spaces; clusters of shelter with plenty of paths weaving through public places. As imperial power concentrated in centres such as Rome, it spread its authoritarianism, and imposed the Roman Grid over the village life-style. The grid is a major tool of imperialism — it organizes space efficiently, allows for accountability and ease of censuses, it provides good and efficient circulation for the transportation of goods, people, and military services, and it lacks in its design places where people can gather, make connections, and plot to overthrow the imperial power that runs the course of its life.
This is especially true in North America, where over seemingly “blank” landscapes, imperial French, British, Spanish and Dutch powers imposed grids often without provisions for public space.
Lakeman proposes that we return to our village lifestyle, find our inner-villagers, and “dissolve” the ubiquitous grid at every opportunity we can get. Instead of passing each other at an intersection, let’s instead make it a place to meet.
Halifax’s first painted intersection is truly exciting. In a lecture describing his efforts with City Repair, Lakeman references the fact that after the first intersection painting, other Portland neighbourhoods were inspired, and intersection paintings popped up around the city, independently. The movement is now international, and, with the advent of communications technology, good ideas such as these can easily spread across continents to other coasts and other contexts.
I’m excited to experience my first intersection painting. It won’t solve all the problems associated with anonymity and social isolation in cities — but it’s a positive step, and an incredible advance toward bottom up, community-based urban planning: toward an urban sustainability that incorporates the social and environmental, a new city culture that embraces local connections.
Plus — I’ll be selling delicious date-almond smoothies there with my mom — for only $3 a glass.
See you there.